Ebrahimi N, Bordbari Z, Sharif N. Embodied Transcendence and Phenomenological Field: Subjectivities in Caryl Churchill’s Fen Through Irigaray and Merleau-Ponty. JCALS 2025; 2 (2) : 6
URL:
http://cals.gonbad.ac.ir/article-1-62-en.html
Department of English Language, Faculty of Foreign Languages, CT.C., Islamic Azad University, Tehran, Iran
Abstract: (35 Views)
This article examines the interrogation of cross-gendered subjectivities in Caryl Churchill’s dramaturgy through the theoretical approaches of Luce Irigaray’s feminist philosophy and Maurice Merleau-Ponty’s phenomenology of embodiment. This article argues that Churchill’s stage is not merely a platform for representing these ideas but becomes the very phenomenological field in which they are experimentally lived and perceived by the audience. The bodily presence of performance itself, the material-of-body-of-performance—actor's body, common space, audience's perceptual trust—is the proximal site of this phenomenological investigation. Meanwhile, Merleau-Ponty's notion of the phenomenological field makes intelligible the dynamic, inter-bodily horizon within and in relation to which gendered identities are progressively constructed through embodied perception and intersubjective encounter. Churchill’s theatrical strategies of cross-gender casting and fluid performativity enact these paradigms by destabilizing fixed gender binaries and fostering a corporeal and symbolic space for alternative subject formations. The study contributes to feminist and phenomenological debates by demonstrating how Churchill’s dramaturgy operates as a praxis of sensible transcendence and embodied field engagement, opening ethical and ontological possibilities beyond normative gender frameworks.
Article number: 6
Type of Study:
Research |
Subject:
General Received: 2025/06/15 | Accepted: 2025/06/30 | Published: 2025/07/1